about him.

ike many who find themselves drawn to sound, my journey began not with grand ambitions, but with a simple need to capture what I was hearing—the spaces between notes, the textures of silence, the way a melody can hold both memory and possibility. What started as recording became a way of seeing, and seeing became a way of understanding.

Through music, I've learned that the most honest expressions often emerge from uncertainty. Each track is an attempt to document a moment, a feeling, a question that doesn't have a clear answer. Whether working solo as nokeum or collaborating as part of Phenomenonlog, the process remains the same: listen closely, record faithfully, and let the work speak for itself.

The albums and singles I've created are not just collections of songs—they're records of a process, markers along a path that continues to unfold. From the introspective journey of "How Many Seconds in Eternity?" to the collaborative exploration of "Does Egg Yolk Dream of Ewan Bae?", each project represents a different way of asking the same fundamental question: how do we make sense of our experience through sound?

Beyond music production, I've explored sound design for theater, collaborated on media art performances, and worked as a student ambassador for programs that bridge technology and the arts. These experiences have shaped my understanding of sound as both a technical craft and a deeply human form of communication.

What drives me forward is the belief that music can be a space for genuine encounter—with ourselves, with others, with the world as it is and as it might be. The work continues, the questions remain, and each new project is another step in an ongoing conversation between sound and meaning.